Представляем аккорды композиции "The Big Lad" и глубже погружаем в смыслы творчества артиста It Bites . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «The Big Lad» — это не просто изображения аккордов, а история, которую It Bites передаёт через ритм и интонации.
It Bites - "The Big Lad"
#----------------------------------PLEASE NOTE--------------------------------# #This file is the authors own work and represents their interpretation of the# #song. You may only use this file for private study, scholarship, or research.# #-----------------------------------------------------------------------------# Date: Wed, 11 Mar 1998 18:09:30 +0000 From: Wayne Ellis Subject: TAB:The Big Lad In The Windmill by It Bites [Instrumental] The Big Lad In The Windmill by It Bites ------------------------------------------ >From the album The Big Lad In The Windmill Transcribed by Wayne Ellis and Mandy Vivian. email ellis_w_wayne@bt-web.bt.co.uk and mandy@mandy.co.uk The guitar is tuned as follows: (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (from low to high) rake~~~~ ~~~ harm rake E-----------------|-----------------|-----------------|-----------------| C---------------0-|---------------0-|0----------------|---------0-------| F-----------0---0-|-----------0---0-|0----------------|-7-------0-------| C---------2-----2-|--------0------0-|-----------------|-7-------2-------| G-0-h2--3---------|---3-2-----------|-----------------|-7-------0-------| C-----------------|-----------------|----2mb-p0--0----|-----------------| rake~~~ ~~~~ harm~~~~ E-----------------|-----------------|-----------------|-----------------| C-----------------|-0---------------|-0-0-------------|-----------------| F-------------0---|-0------------0--|-0-0-------------|-----7-----------| C-----------2-----|-2---------0-----|-0---------------|-----7-----------| G---0--2--3-------|------3-2--------|-----------------|-----7-----------| C-----------------|-----------------|------2mb-p0--0--|-----------------| rake~~~~ rake~~~~ ^ ~~~~harm E-----------------|-----------------|-----------------|-----------------| C-0---------------|----0------------|-----0-0---------|-----------------| F-0---------------|-0--0------------|--0--0-0---------|-----------------| C-2-------------2-|----2------------|0----0-----------|------7----------| G--------0-h2-3---|-------------3-2-|-----------------|------7----------| C-----------------|-----------------|--------2mb-p0--0|-----------------| muted rake~~~~ rake~~~~~ X X all harms~~~~~ E-----------------|-----------------|-----------------|-----------------| C-0---------------|----0------------|------0-0--------|---7-------7-----| F-0---------------|-0--0------------|--0---0-0--------|-----7----7------| C-2-------------2-|----2------------|-0----0----------|---------7-------| G--------0-h2-3---|-------------3-2-|-----------------|-----------------| C-----------------|-----------------|---------2mb-p0-0|-7---------------| TAB Key -------- p - pulloff mb - microtone bend (see record for further details) X - mute with palm of picking hand ~ - hold note ^ - emphasise note harm - harmonic rake - exagerate the strumming of the chord (but not enough for it to be an arpeggio) Tuning Notes ------------- The tuning used for this short instrumental piece is: (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (low to high) Overall the guitar sounds slack, giving a clue that a dropped tuning is being used. Also you can hear string rattles in a few places. When tuning up, if you wish to play to the record, use the open C which occurs in bar 3 as your reference. As, according to my tuner, the actual note is close to (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- - but is actually somewhere between (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- and C#. The difference isnt great - but when playing along to the record it is noticeable. Getting the exact tuning is just a matter of listening for open strings - if you scan the TAB you can see that there are plenty of open strings being sounded. Heres how I went about figuring out the tuning. The first note of the piece is G, so a good guess is that the whole piece might be in standard tuning but with reference to D (instead of E). The guitar would be tuned, to begin with, as: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (low to high) This tuning gets you the initial notes, but the raked chord at the end of bar 1, sounds as if the highest note is open. The actual note played is a C. To cure this problem the open-A string is raised a tone and a half to C. The tuning becomes: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (low to high) Everything now sounds OK, until bar 3 - the open note sounded from the pulloff is lower than the D note which the lowest string tuned to. Tuning this string down a full tone to C, gives the desired note. So the tuning becomes: (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (low to high) The high D-string isnt used, and is left tuned to D. This tuning looks a little bit strange, but if you transpose it up a full tone, it gives: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- E This appears a little more familiar as it is almost Dropped D tuning (DADGBE), but with the B-string raised to a D. Notes ------ Once youve got the tuning, this is quite an easy piece to play. It is roughly in 4/4 time - but is played freely so things do wonder a little through the bars. Because of the slack tuning, the notes resonate longer, filling the sound out. Try not to kill the notes too quickly after they have been played. Use a plectrum throughout to get a full sound. Let the raked chords and harmonics ring, dig into the strings with the plectrum when playing the rakes. This Transcription (c) Copyright DarkMusic 1997. This Transcription (and others) is also available at: http://www.mandy.co.uk/music/tabs/ The It Bites Web Pages: http://www.mandy.co.uk/it-bites/ Comments and corrections welcome. Wayne Ellis email ellis_w_wayne@bt-sys.bt.co.uk ------------------------------------------------------------------------- ---------------------- - Wayne Ellis Tel: +44 1473 643039 - Speech & Image Coding Group Fax: +44 1473 645011 - MLB3/11, BT Laboratories, wayne.ellis@bt-sys.bt.co.uk - Martlesham Heath, - Ipswich, IP5 3RE, - United Kingdom ------------------------------------------------------------------------- ------------------------------------------------------
В ряде случаев представлена аппликатура аккордов песни «The Big Lad», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир It Bites через его(их) музыку.