Представляем аккорды композиции "Roy Orbison Knows" и глубже погружаем в смыслы творчества артиста Harding John Wesley . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Roy Orbison Knows» — это не просто изображения аккордов, а история, которую Harding John Wesley передаёт через ритм и интонации.
Harding John Wesley - "Roy Orbison Knows"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Title: Roy Orbison Knows (The Best Mans Song) Artist: John Wesley Harding Album: It Happened One Night [L-FIEND CD 137] Track 16 Credits: Song written by John Wesley Harding Transcription started by "Sen" continued by William Vaughan transposed to (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ major and edited by Ryan Harding Chords: (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ {0 2 2 1 0 0} Esus4 {0 2 2 2 0 0} or {0 0 2 2 0 0} E7 {0 2 0 1 0 0} (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- {5 7 7 6 5 5} A7 {5 7 5 6 5 5} C#m {4 4 6 6 5 4} Cm {3 3 5 5 4 3} Bm {2 2 4 4 3 2} F# {2 4 4 3 2 2} G# {4 6 6 5 4 4} (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- {7 9 9 8 7 7} B7 {2 2 1 2 0 2} - bass-E string can be unplayed A: {0 0 2 2 2 0} Asus4 {0 0 2 2 3 0} A7: {0 0 2 0 2 0} (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- {2 5 4 2 3 2} or {2 0 0 2 3 2} (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- {x x 4 4 4 x} Naming convention 1)bass runs are shown in square brackets [G# (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A# B] 2)only a few bass strings to be played when ............... a line of dots is used above chords, e.g. (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ E F# F# G# G# 3)only play strings 2, 3 & 4 (B, (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- & D) for ,,,,, the end B: & A: chords with commas above: B: A: Note: This file is in 80 column format. One lines chords extend beyond 80 col so have been put on the next line (after the lyrics and a backslash character). ROY ORBISON KNOWS (THE BEST MANS SONG) ======================================= E (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- C#m F# Well your voice grips me tight like fingers (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ [bass run: G# (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A# B] B7 Takes hold of whatevers inside E (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- C#m F# Though we try to harmonize with different singers ............... (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ A: (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ E F# F# G# G# When were out of tune at least well know we tried A B Baby its a hopeless feeling D Leaves Mister Logic reeling (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- E I love you I know, but what does that mean C#m F# When the only place forward is where weve just been (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A Its time to think twice, its time to decide (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ [G# (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A# B] B7 Turn and keep walking or be my bride A: Asus4 A: Or be my bride, yeah, (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ Esus4 E Or be my bride (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ E7 A: C#m C#m Cm Bm F# Well Roy Orbison, he knows that I cant forget you (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ [G# (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A# B] B7 Well he told me last night at forty-five E E7 A: C#m C#m Cm Bm F# Hope this honesty doesnt honestly upset you ......... (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ A: (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ E F# G# A He said to lie is death to love - I know its still alive, yeh A B Baby when the mornings breakin D So many actresses ve already started fakin (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- E I love you I know, but its not such a big deal C#m F# Im gonna tape you this song on my reel to reel to reel (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A7 Its time to think twice, make up your mind (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ [G# (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A# B] B7 Take me to the altar or leave me behind (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ Esus4 E Or leave me behind, yeah, or leave me behind (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- C#m C#m Cm Bm F# Well my memories, they lie to me just because they want to (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ B7 Well like a runaway train, you know, I have no control E E7 (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- C#m C#m Cm/ Im gonna tell em where you live so that they can go and haunt you Bm F# ........ (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (E7) A: (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ F# (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- A And take back and take back all the parts of me you stole A B But I no longer feel like crying, D My nervous systems dying (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- E I love you I know, but Im anaesthetised C#m Cm F# I was foolishly hopeful, now Ive realised (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A7: (triplets) It was time to think twice, you had to go (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ C#m I hope that you blossom, I hope that you grow (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A7: (triplets) Write me a postcard make it some little thing (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ C#m If you get married, Ill carry the ring A: B7 If you get married introduce me to him A: Asus4 A: Introduce me to him ,,,,, (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ A: B: A: E Introduce me to him =============================================================================== Notes: ====== 1. Will (see credits) tells me he was told by Wes that it is played in D usually with a capo, but this was in about 1994. On the CD, Im sure I can hear a bass-E in the first bar or two so Ive transcribed it in open standard tuning. 2. Im pretty certain that the words are correct after initially being unsure who "ve already started fakin" and about "Write me a postcard make it .....", "I know its still alive" and "Mister Logic". Whether you sing "or be my bride" etc. or "woah be my bride" is entirely up to you. 3. Dont worry too much about the specific chord fingerings for the most part, nor that you have this uncontrollable urge to play an A7 of some variety when "its time to decide" - Wes decided not too just for that verse. 4. Feel free to email me with any comments (see header for email address) or to request tabs for songs. If you have a favourite JWH song youd like me to have a go at, let me know. I now have the four full albums, "The Name Above The Title", "It Happened One Night", "Why We Fight" and "Here Comes The Groom". If I havent got the songs, I could only do them if you send me an audio tape with them on. If you could work out the lyrics, that would be a great help. The songs Ive tabbed/chorded so far are: From "The Name Above The Title": I Can Tell (When Youre Telling Lies) Save (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Little Room For Me The Peoples Drug The Person You Are Long Dead Gone } lyrics supplied by Backing Out } Alan Pulliam - thanks from "It Happened One Night": Roy Orbison Knows (The Best Mans Song) - thanks to Will Vaughan & "Sen" Kiss/Lovers Society {coming shortly} and from "Here Comes The Groom" The Red Rose And The Briar } thanks to Patrick Barnett and coming soon, the version not from "Here Comes The Groom" of When The Sun Comes Out } thanks to Patrick again These are archived on the guitar tab archives, ftp.nevada.edu and its mirror sites such as ftp.uwp.edu - you can find local mirror sites by using a program such as "archie". Cal Woods & Jim Carson, the new maintainers of the Nevada archive have kindly placed in it a file to aid archie searches. It is called "Nevada.Guitar.Archive". You can find the guitar directory of any nearby mirror sites using: unix% archie -m5 -N Nevada.Guitar.Archive Host unix.hensa.ac.uk Location: /pub/uunet/doc/music/guitar FILE -r--r--r-- 80 Jun 16 09:21 Nevada.Guitar.Archive Wess tabs are archived under '''/guitar/h/john_wesley_harding 5. The FTP archive at Trinity College Dublin (ftp.maths.tcd.ie) has also uploaded a lot of Wes songs in the directory: /pub/music/guitar/h/john_wesley_harding In addition to the songs Ive worked out, there is a copy of Crystal Blue Persuasion, originally by Tommy James and the Chandelles (sp') which appears on "The Name Above The Title". There doesnt appear to be a mirror site to Trinity College Dublin. 6. Enjoy! ---------------------------------------------------------------------------- Parallel lines DO meet but only incognito. Ryan Harding, Applied Optics, UKC ---------------------------------------------------------------------------- "Now no-ones sitting on the fence, whose garden will we end up sitting in'" - John Wesley Harding, "The Person You Are" from "The Name Above The Title" ----------------------------------------------------------------------------
В ряде случаев представлена аппликатура аккордов песни «Roy Orbison Knows», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Harding John Wesley через его(их) музыку.