Представляем аккорды композиции "Nirvana Songbook" и глубже погружаем в смыслы творчества артиста Nirvana . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Nirvana Songbook» — это не просто изображения аккордов, а история, которую Nirvana передаёт через ритм и интонации.
Nirvana - "Nirvana Songbook"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # From SPEX49D@prodigy.com Fri Jan 19 00:04:01 1996 Received: from post-office.nevada.edu (root@post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id SAA33566; Thu, 18 Jan 1996 18:03:57 -0600 Received: from pimaia2w.prodigy.com (pimaia2w.prodigy.com [192.207.105.46]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id QAA17373 for ; Thu, 18 Jan 1996 16:02:46 -0800 Received: from mailout2.prodigy.com (mailout2.prodigy.com [199.4.137.96]) by pimaia2w.prodigy.com (8.6.10/8.6.9) with SMTP id SAA21868 for ; Thu, 18 Jan 1996 18:34:08 -0500 Date: Thu, 18 Jan 1996 18:31:50 EST From: SPEX49D@prodigy.com (MR JOHN M VETTESE) X-Mailer: PRODIGY Services Company Internet mailer [PIM 3.2-334.50] Message-Id: To: guitar@nevada.edu Status: RO T (h)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- E +---------------------------------------------------+ | N N I RRRR V V (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- N N (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- | | NN N I R R V V (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A NN N (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A | | N N N I RRRR V V (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- N N N (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- | | N NN I R R V V AAAAAAA N NN AAAAAAA | | N N I R R V (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- N N (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- | +---------------------------------------------------+ (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- U I T (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- R T (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- U L (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- T U R (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- O O K v. 4.0 Last Updated: 12/30/95 Compiled by John Vettese (spex49d@prodigy.com) A big "thank you" to anybody who posted Nirvana tab on the net or on Prodigys BB, and to all the good folks who hooked me up with tabs before and after this books initial release... Especially these people: Patrick Christman (Patrick_M._Christman@thegroup.com) Ilyssa Fisher (sfsd85b@prodigy.com) Robbie Landis (adxe96b@prodigy.com) Steve Meronk (Steve22067@aol.com) Cris Pasquini (duyn49b@prodigy.com) Dan Saalfeld (Kurdtdt@aol.com) If anybody has any more tab to rare songs please send it my way... This book may be freely distributed as long as credit is given to me, and you let me know beforehand... It can be downloaded or viewed at the following sites: Dimension 7 Homepage: http://www.westol.com/~sportif/tabcon.html O.L.G.A.: ftp://ftp.nevada.edu/pub/guitar/n/nirvana/nirvana_songbook.tab Mr. Guy Smileys Homepage: http://www.seds.org/~smiley/nirvana/tabs If anybody knows of any other web sites that have this book, let me know. Please try and download it from one of these sites as opposed to mailing me asking for a copy. HISTORY OF DA BOOK (For anyone who cares...) v. 1.0..........original release on 6/4/95. Posted to alt.music.nirvana, rec.music.makers.guitar.tabulature, and alt.guitar tab. It found its way to ftp.nevada.edu, missing the rarities section however. v. 2.0..........second release on 8/11/95. Corrections made in the tab, power chord chart added, section on feedback and noisemaking added, and about 12 more rare songs added. Posted to same newsgroups. v. 3.0..........third release on 10/9/95. More corrections made in the tab, updated the section on feedback, added charts for major and minor chords. Posted to same newsgroups. Decision made by me that this will be posted bimonthly, regardless of changes. v. 3.5..........followup release on 11/5/95. Fixed some stupid mistakes on my part that probably confused the hell out of people who use the chord charts. Posted only to alt.guitar.tab and alt.music.nirvana this time around. v. 4.0..........fourth release to the web on 1/1/96, and to the newsgroups on 1/18/96. More corrections in tab, decided to kill off the "original release date" at the top as I had put that there before I had intended to keep updating this book. Added the section on websites where this book can be downloaded from as well as the section on tunings. I lost the rec.music.makers.guitar.tabulature for one reason or another, so it was only posted to alt.guitar.tab and alt.music.nirvana. ALL SONGS BY KURT COBAIN EXCEPT: Plateau, Oh Me, Lake Of Fire written by Kirkwood (The Meat Puppets) Mollys Lips, Son Of (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Gun, Jesus Wants Me For (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Sunbeam written by Kelly/McKee (The Vaselines) D7, Return Of The Rat written by Greg Sage (The Wipers) Turnaround written by Mothersbaugh/Casale (Devo) Here She Comes Now written by Lou Reed (The Velvet Underground) Marigold written by Dave Grohl The Man Who Sold The World written by David Bowie Where Did You Sleep Last Night written by Leadbelly Baba O Riley written by Pete Townshend (The Who) The Money Will Roll Right In written by Fang Do You Love Me written by Frehly/Stanley/Simmons (Kiss) Table Of Contents CHORD CHARTS 1) Power Chords 2) Major Chords 3) Minor Chords TABULATURE DEFINITION TUNINGS SOME NOTES ON FEEDBACK AND NOISEMAKING 1)BLEACH Blew Floyd The Barber About (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Girl School Love Buzz Paper Cuts Negetive Creep Scoff Swap Meet Mr. Moustache Siftings Big Cheese Downer 2)NEVERMIND Smells Like Teen Spirit In Bloom Come As You Are Breed Lithium Polly Territorial Pissings Drain You Lounge Act Stay Away On (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Plain Something In The Way 3)INCESTICIDE Dive Sliver Stain Turnaround Been (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Son Mollys Lips Son Of (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Gun (New Wave) Polly Beeswax Downer Mexican Seafood Hairspray Queen Aero Zeppelin Big Long Now Aneurysm 4) IN UTERO Serve The Servents Scentless Apprentice Heart Shaped Box Rape Me Frances Farmer Will Have Her Revenge On Seattle Dumb Very Ape Milk It Pennyroyal Tea Radio Friendly Unit Shifter Tourettes All Apologies 5) MTV UNPLUGGED IN NEW YORK Jesus Wants Me For (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Sunbeam The Man Who Sold The World Plateau Oh, Me Lake Of Fire Where Did You Sleep Last Nighgt 6) B-SIDES AND RARITIES Baba O Riley Beans Blandest Curmudgeon D7 Do You Love Me Endless, Nameless Even In His Youth Formaldehyde Gallons Of Rubbing Alcohol Flow Through The Strip Help Me, Im Hungry Here She Comes Now If You Must I Hate Myself And Want To Die Junkyard Marigold Misery Loves Company Moist Vagina Oh, The Guilt Opinion Pen Cap Chew Return Of The Rat Spank Thru Talk To Me The Money Will Roll Right In Token Eastern Song Verse Chorus Verse CHORD CHARTS This is basically all the chords used in this book (and more) put in tabulature form. I did this for the sake of people who dont know how to read chords, or dont have a chord book. 1) Power Chords E5 F5 F#5 G5 G#5 A5 A#5 B5 C5 C#5 D5 D#5 |----------------------------------------------------------------------| |--------------------------------------------------------------3-------| |------9--------10--------------------2---3---4---5---6---7----2---8---| |-2----9---3----10---4---5---6---7----2---3---4---5---6---7-or-0---8---| |-2-or-7---3-or--8---4---5---6---7-or-0---1---2---3---4---5--------6---| |-0--------1---------2---3---4---5-------------------------------------| 2) Major Chords (bar chords except for (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- not included) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- D |-0---1---3---0---2---0---2-| |-0---1---0---2---4---1---3-| |-1---2---0---2---4---0---2-| |-2---3---0---2---4---2---0-| |-2---3---2---0---2---3-----| |-0---1---3-----------0-----| 3) Minor Chords Em Fm Gm Am Bm Cm Dm |-0---1---3---0---2---3---1-| |-0---1---3---1---3---4---3-| |-0---1---3---2---4---5---2-| |-2---3---0---2---4---5---0-| |-2---3-------0-------------| |-0---1---------------------| TUNINGS Standard Tuning: (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- E How To Get It: Tune the low (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to a tuner or another guitar Tune the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string to the 5th fret of the low (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string Tune the (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- string to the 5th fret of the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string Tune the (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- string to the 5th fret of the (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- string Tune the (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- string to the 4th fret of the (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- string Tune the high (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the 5th fret of the (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- string Down 1/2 Step: Eb Ab Db Gb Bb Eb How To Get It: Tune the 6th fret of the (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string Retune the rest of the guitar as in standard tuning Down (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- Whole Step: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- D How To Get It: Tune the 7th fret of the (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string Retune the rest of the guitar as in standard tuning Drop D: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- E How To Get It: Tune the 7th fret of the low (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string Alt. Tuning 1: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- F How To Get It: Tune the 7th fret of the low (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- string Tune the high (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ string to the 6th fret of the (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- string Alt. Tuning 2: Eb Ab Db Gb (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- E How To Get It: Tune the first 4 strings down 1/2 step Leave the last 2 strings in standard tuning SOME NOTES ON FEEDBACK AND NOISEMAKING When It came to making noise using nothing but his guitar, Kurt Cobain was a geinus. In fact, IMHO, the only person who I have seen make BETTER noise would have to be Thurston Moore of Sonic Youth. It would impossible to accuratly re-create alot of the sounds that Kurt achives with his guitar (ie. Endless Nameless, Radio Friendly Unit Shifter, Gallons...), since alot of it was improvised. This is why this book may actually be better than published tabs...they actually try to tab noise jams like the RFUS outro and the Scentless Apperentice solo, and it is very frustrating when you are doing exactly what the book tells you and it still sounds wrong. My solution to this problem: create your own feedback. As you may or may not know, feedback is that ringing noise that occurs when you play at a high volume, or play too close to the amp, or leave your guitar sitting next to the amp when it is still turned on. There is some scientific explination for this, like it makes the coils in the pickups vibrate, or something like that. Basically, it occurs in strange situations when you dont want it, but when you DO want it it is a pain in the ass to get! There are several techniques that I use that produce decent feedback/noise. One is bending. I find that if you do a double bend on your high (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ and B strings anywhere above the 10th fret (as you see in Endless Nameless), it will be loud and ring, and (if youre lucky) echo. Another is harmonics. Feedback will usually occur instantly when you strike a high pitched harmonic. This is quite effective when you have to come up with a certain pitched feedback, if you can remember which harmonics make which pitches. It doesnt work as well with 12th and 7th fret harmonics, though. If you want GOOD feedback, go for 3rd, 4th, 5th, and 9th fret harmonics. Sometimes, depeniding on the kind of guitar you have, you will be able to take harmonics above the pickups. If you are able to do this, go for it, cause you cant really get any more high pitched than that! One method I have seen Kurt do in concert (you can witness this before Breed on the MTV Live And Loud vid) that is quite effective is tapping the back of the neck. You should try hitting the upper neck with either your pick or fingers, behind the first or second fret. If the destortion is high enough, it will produce a cool sounding rumbling noise at first, then become screeching feedback. Another technique used in Oh The Guilt is picking the strings above the nut or below the bridge. It produces various high-pitched rings, which produce excellent feedback. However, the strings must be struck somewhat hard, or the sound may not be picked up. If you would like to use the natural approach, simply turn up the volume on your amp. It will eventually start ringing, and as you move your guitar around in different positions the pitch will change. If youre lucky, you may actually be able to pick up radio stations with this method! Two things you should be aware of when doing this are: 1) Feedback occurs much more readily when the pickups are facing away from the amp. An easy thing to do is take off your guitar and place it up against the cabinet with the strings facing outward. This would save lots of waiting. 2) Different pickups create different pitch feedback. You may want to try using your pickup switch, especially if you have a strat or a strat imitation. This can produce anything from a low growl to a high scream. Again, you should expariment on your own. There are various other noisemaking methods...so many that I will not be able to list them all. Two that must not be ignored, however, are the whammy bar and the pick scrape. The whammy bar is probably the most useful tool in producing noise. What it is is a bar attached to the bridge of the guitar which, when depressed, lowers the pitch of the strings by raising the bridge. You can hear this in action at the end of Stay Away, where Kurt drops the strings as far as they go, raises them, and drops them again and again. However, dropping the pitch of the strings is only one use for the whammy bar, as it can be used to make exaggerated vibratos and other such noises. Depending on what model guitar you have, the whammy bar will be built differently. On strat models, the bridge is pretty well attached to the guitar, and the bar will only be able to lower the pitch. However, on Ibanezes, the bridge is just sorta floating there, so the whammy bar can be used both ways...raising AND lowering the pitch. There is really not a hell of lot I can say about HOW to use this as it isnt a very complicated tool. (It has two positions...up and down. How much more simple can it be'') You hould just fool around with your own and get familiar with it and the noises it can make and soon you will be able to produce decent noise with it. Pick scrapes are very underrated, as they seem to produce one kind of noise. Actually, there are many things you can do with pick scrapes aside from just scraping the low (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ or (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- strings and making the same old usual sound. One is scraping actually above the pickups (which Kurt does at the end of Heart Shaped Box) which produces a more high pitched sound. Another is using the same top to bottom method on your higher strings (B and high E). Or you could just scrape all the strings over the pickups. This is another method that must be exparimented with so that you can come up sounds that you like. Of course there are various other methods that Kurt used that Im not going to get into, basically because my knowledge of feedback and noisemaking is very limited compared to his. However, this should provide you with somewhat of a guide so that you too can make noise with your guitar! TABULATURE DEFINITION What all the little symbols in the tab mean... )=Bend /=slide ~~=vibrato ^=hammeron/pulloff PM=Palm mute *=uncontrolled feedback xx=pick scrape NH=Natural Harmonic +=Tremelo Pick )=Unison Bend ) |=ghost bend |=ghost bend and release @@@@@=Smash Guitar :) BLEACH 1)Blew Alt. Tuning 1 Intro: 4: 0 0 3 5 6 6 5 3 3 0 5/6 6 5: 0 0 3 5 6 6 5 3 3 0 5/6 6 6: 0 0 3 5 6 6 5 3 3 0 5/6 6 Verse: 1: 0 0 2: 0 0 3: )( 0 0 4: 3 5 5 5 5 (5) 5 3/5 5 3~~~ 53/5 5 53/5 5 5: 5 6:0 0 0 0 Chorus: 4: 3 5 5 5 3 3 3 5 5 5 3 6 5: 3 5 5 5 3 3 3 5 5 5 3 6 6: 3 5 5 5 3 3 3 5 5 5 3 6 play 3x then: 4: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7 5: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7 6: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7 Solo: (In standard tuning; I havent figured it out in the alt. tuning yet) ) )( )( 2:10 10 (10) 10 10 10 10 8 0 8 10 10 (10) ) ( 2:10~~~10 10 10 10 8 0 8 10 3: 8 10 8 10 2:10/13 12~~ (12) 12/15 15 15/17 17 15 2: 18 (18) 18 18 18 (18)18 (18)18 3:15 15 (18) (18) (18) 2:(18) 18 18 (18)18~~~~18~~~~~18 16 3:(18) (18) (18) 2:1615 1513 15 13^15^13^0 11/12 13 13~ 2:11 3: 1211 11 9 10 10 10 8 10 10 10 8 2: 3: 8 8 10 10 8 8 10 4:108 0 8 10 10 8 10 10 2: 11 11 11 11 11 11 11 11 11 3:10 10 "you can do anything" 6:0 0 3 5 5 6 5 play that 1x then 6:0 3 5 5 5 5 play that twice then 6:0 3 5 5 5 5/
В ряде случаев представлена аппликатура аккордов песни «Nirvana Songbook», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Nirvana через его(их) музыку.