Представляем аккорды композиции "Hit The Road Jack" и глубже погружаем в смыслы творчества артиста Charles Ray . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Hit The Road Jack» — это не просто изображения аккордов, а история, которую Charles Ray передаёт через ритм и интонации.
Charles Ray - "Hit The Road Jack"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: longmire@mcs.com (Bob Longmire) Subject: TAB: Hit the Road Jack / Ray Charles This is my first post here, and Im not exactly sure about the credits. I believe Ray wrote this himself. If anyone knows better, let me know. Ill hold off before posting this to Nevada. Enjoy -- TITLE: HIT THE ROAD, JACK Written by : Ray Charles Arranged by : Bob Longmire MAIN RIFF (aka Chorus): (**) (1) (2) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ -0---0-|-------------|-------0--0-|-0--0--5--5-|-8--8--5-0----| (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- -------|-1-----------|-1--3-------|------------|--------------| (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- -------|----2------2-|------------|------------|--------------| (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- -------|-------------|------------|------------|--------------| (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- -------|-0--0--------|------------|-0--0-------|-8--8---------| (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ ---0---|--------3--3-|-1--1--0--0-|-------3--3-|-------0----0-| (3) (4) (5) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ --------------------|-------0----|------------|----------0----| (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- ----0h1-------------|-1--3-----1-|----1--0----|-1--1--0-------| (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- ---------2-----2----|------------|-2--2--0----|-2--2--1-------| (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- --------------------|------------|----2--0----|-3--3--2-------| (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- ------0--0----------|------------|-0--0-------|---------------| (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ ------------3--3----|-1--1--0--0-|-------3--3-|-1--1--0-----0-| (**) Repeat this a few times as needed. VERSE: (**) (6) (7) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ --5--5p3--0-----------------|--------------0------| (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- -------------1--3--1--3--1--|--3-----4------------| (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- ----------------------------|---------------------| (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- ----------------------------|---------------------| (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- -----0----0-----------------|---------------------| (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ ----------------3-----3-----|--1-----1-----0---0--| (8) (9) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ --0--0-------------|------------|-5--5--5--5--5--0----0--| (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- --------3--1-------|-1----------|------------------------| (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- --------------2--2-|----2--2----|------------------------| (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- -------------------|------------|------------------------| (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- -----0--0----------|------------|----0--0----------------| (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ -----------3--3----|-1--1--0--0-|-------------3-----3----| (10) (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ --------0----|-0-0----------|----------0-----| (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- --3--4-------|------3--1----|-1--------------| (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- -------------|------------2-|----2--2--------| (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- -------------|--------------|----------------| (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- -------------|---0--0-------|----------------| (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ --1--1--0--0-|---------3--3-|-1--1--0-----0--| (**) Sandwich in between main riffs NOTES on main riff: (1) Leave no fingers on the fretboard here. Get into position for the next two-note chord. (2) Using the higher (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- is a form of cheating, but when played up to speed the octave change is hidden. This is the main trick of the piece. (3) The measure actually starts with the hammered-on C. I didnt include the bar only because it looked hard to read that way. (4) It takes extra practice to move the left index finger from the second-string (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- to the sixth-string F. Same as bar 2. (5) This is the same high (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ as the first note in the main riff, so you can see that the timing is not exact. I hope you can get the idea through the feel of this rather than exact notation. NOTES on Verse: (6) Set the left index finger on the second-string (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- now, and use the pinky for the D. The ring finger can handle the bass G. (7) Same as note 4. (8) Use a full first-fret barre to fret both the second and sixth strings. Keep the ring finger on the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- while changing this. (9) Syncopate the bass with the melody here. (10) The second verse has an extra 4 bars. Make it up as Im getting tired of doing this. FINGERING: I find it easier to use the pinky to fret the low (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- on the first four measures, and to use the thumb for the F. (Please dont flame this part; I have had lessons but sometimes expediency prevails over theoretical technique.) This keeps the right hand in a good position for doing both melody and the step-down bass. [CRDPRO] Main Riff (aka Chorus) Hit the [Am] Road Jack [G] and [F] dontcha come [E] back No [Am] more no [G] more no [F] more no [E] more, Hit the [Am] Road Jack [G] and [F] dontcha come [E] back No [Am] more [G] [F] [E] "Whatd you say" ... Chorus ... Verse 1 Old [Am] woman old [G] woman, oh you [F] treat me so [E] mean, Youre the [Am] meanest old [G] woman that I [F] ever have [E] seen, Well I [Am] guess if [G] you say [F] so [E] Ill [Am] have to pack my [G] things and [F] go [E] *thats right* ... Chorus ... "Whatd you SAY'!'!" ... Chorus ... Verse 2 Now [Am] Baby, listen [G] Baby, dont you [F] treat me this-a [E] way Cause [Am] Ill be [G] back on my [F] feet some[E]day, *Dont [Am] care if you [G] do, cause its [F] under[E]stood,* *You [Am] got no [G] money, and you [F] just aint no [E] good* Well I [Am] guess if [G] you say [F] so [E] Ill [Am] have to pack my [G] things and [F] go *thats [E] right* ... Chorus ... "Whatd you SAY'!'!" ... Chorus ... Coda Repeat [Am] [G] [F] [E] ... "Well ... Uh, whud jou say' I didnt understand you. You cant mean that ... Aw now Baby, Please. What you tryin to do to ME!'" And Fade. Regards, ^^^^ --oo longmire@mcs.net > ~
В ряде случаев представлена аппликатура аккордов песни «Hit The Road Jack», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Charles Ray через его(их) музыку.