Представляем аккорды композиции "Gone To Pablo" и глубже погружаем в смыслы творчества артиста Bloom Luka . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Gone To Pablo» — это не просто изображения аккордов, а история, которую Bloom Luka передаёт через ритм и интонации.
Bloom Luka - "Gone To Pablo"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: tgakrg@chem.tue.nl Subject: contribution to OLGA Date: Mon, 19 Jun 1995 15:25:25 +0200 (MET DST) ------------------------------------------------------------------------------- Hi there, For the fans of the best singer/songwriter of our time: ;-) here is our effort to denote Luka Blooms Gone To Pablo. This is one of the few songs he seems to play in normal tuning (mostly he uses DADGAD). Gone To Pablo - Luka Bloom (from his album Riverside) =========================== VERSE 1: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- D5 Dsus4 D/Db G The maid came into her room on wednesday morning, D D5 Dsus4 D/Db G found a pistol lying by her side. D D5 Dsus4 D/Db G For thirteen years she kept her fires burning, D D5 Dsus4 D/Db G lost in pictures, no place to hide. CHORUS: Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... Jaquelines gone to Pablo Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... A... Jaquelines gone to Pablo VERSE 2: Alone too long, the night became her lover. She knew that hed be wating all this time, with dreams and magic pictures to uncover, now that all earthly silence was behind. CHORUS: Jaquelines gone to Pablo Jaquelines gone to Pablo (violin solo) VERSE 3: People go to galleries in Europe to wonder and to feel Picassos soul. Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... Jaquelines gone to Pablo Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... Jaquelines gone to Pablo Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... Jaquelines gone to Pablo Am Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- D... A... Jaquelines gone to Pablo (violin outro: (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- chord) --------------------------- Just to show what we mean: Play in 3/4 VERSE: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- D5 Dsus4 D/Db G e:----|2-------|--------|3-------|2-------|3-------|3-------|3-------|3--------| B:----|3-------|3-------|3-------|2-------|0-------|0-------|0-------|0--------| G:----|2-------|2-------|2-------|2-------|0-------|0-------|0-------|0--------| D:----|0-------|0-------|0-------|0-------|0-------|0-------|0-------|0--------| A:----|--------|--------|--------|--------|2-------|2-------|2-------|2--------| E:----|--------|--------|--------|--------|3-------|3-------|3-------|3--------| The maid came into her room on wednesday morning etc. CHORUS: Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- Dsus4 D e:0--------|0--------|3----------------|2--------|2--------|2h3------|3r2------| B:1--------|1--------|0----------------|3--------|3--------|3--------|3--------| G:2--------|2--------|0----------------|2--------|2--------|2--------|2--------| D:2--------|2--------|0----------------|0--------|0--------|0--------|0--------| A:0--------|0--------|2----------------|---------|---------|---------|---------| E:---------|---------|3----------------|---------|---------|---------|---------| Jaque- lines gone to Pa- blo Am (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- Dsus4 D e:0--------|0--------|3----------------|2--------|2--------|2h3------|3r2------| B:1--------|1--------|0----------------|3--------|3--------|3--------|3--------| G:2--------|2--------|0----------------|2--------|2--------|2--------|2--------| D:2--------|2--------|0----------------|0--------|0--------|0--------|0--------| A:0--------|0--------|2----------------|---------|---------|---------|---------| E:---------|---------|3----------------|---------|---------|---------|---------| Jaque- lines gone to Pa- blo A/C# A6 A7 e:0--------|2--------|3--------|3--------| B:2--------|2--------|2--------|2--------| G:2--------|2--------|2--------|2--------| D:2--------|2--------|2--------|2--------| A:4--------|---------|---------|---------| E:0--------|---------|---------|---------| Only the last time, just before the violin outro, play A/C#, A6, A7, A6 instead. During the violin solo, play: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- D/Db (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- A/C# G e:2--------|2--------|x--------|x--------|3--------|3--------|3--------|3------| B:3--------|2--------|x--------|x--------|0--------|0--------|0--------|0------| G:2--------|2--------|2--------|2--------|0--------|0--------|0--------|0------| D:0--------|0--------|0--------|4--------|0--------|0--------|0--------|0------| A:---------|---------|0--------|0--------|2--------|2--------|2--------|2------| E:---------|---------|0--------|0--------|3--------|3--------|3--------|3------| For questions or additions, mail either Dirk Paul (d.flach@topos.ruu.nl) or Ronald (tgakrg@chem.tue.nl). Enjoy! Dirk Paul Flach Ronald Gelten
В ряде случаев представлена аппликатура аккордов песни «Gone To Pablo», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Bloom Luka через его(их) музыку.