Представляем аккорды композиции "Crimes Of Paris" и глубже погружаем в смыслы творчества артиста Costello Elvis . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Crimes Of Paris» — это не просто изображения аккордов, а история, которую Costello Elvis передаёт через ритм и интонации.
Costello Elvis - "Crimes Of Paris"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: schnitzi@east.isx.com (Mark J. Schnitzius) Crimes Of Paris from Blood and Chocolate tabbed by Clyde MacFadden (mls377@nwu.edu) Mike Sturgess (mls377@nwu.edu) Mark Schnitzius (schnitzi@east.isx.com) Intro: G (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G I thought it was you and your optimists view of the clock (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F And how its always another day E Am Just after twelve oclocks struck Am Am/G# D You said "Now I only want you so I dont have to promise" Am (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- But tiny children in grown-up clothes C/E (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- D/C D/B D/A Whispered all the Crimes of Paris CHORUS (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- D Youre not the girl next-door or a girl from France (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F C/E C/D Or the cigarette-girl in the sizzle hot-pants (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A G All the words of love seem cruel and crass (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (possibly G) When youre tough and transparent as armoured glass (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A E Youre everywhere girl in an everyday mess Am (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G Wholl pay for the Crimes of Paris I heard that you fell for the "Hell or to Hammersmith Blues" In the tiny torn up peices of his mind hes irresistible too Now its hard to say now if hes only stupid or smart When he crawled through the door And poured out more of his creeping-Jesus heart Chorus E E7 And its all here and now Am Am/B Am/C A/E She hit him with that paper-weight Eiffel Tower Dm (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- Dm G And I tried to hold on to you but I dont know how (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- C/B C/A# C/A And I find it hard to swallow good advice Am Am/B Am/C Am/D Like going down three times to only come up twice Am/D# Am/E (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G Come up twice Shes so convenient, hes always stiff as hair-laquer Its hard to discover now hes in love with her It was her way of getting her own back You never did anything she couldnt do on her own Youre as good as your word and thats no good to her Youd better leave that kitten alone Chorus Fade out: (repeat last four bars of chorus) Am | (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- | (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- | (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G... ---------------------------------------------------------------------- Comments from Clyde MacFadden (mls377@nwu.edu): The tough thing about Crimes of Paris (as in many EC songs) is that hes actually only playing five chords on the guitar, but the changes in the bass notes and the vocals are what you really hear. So, if you play it by yourself the way EC does on the album, it sounds like youre missing a lot of important changes- and you are. Luckily, its not too tough to work the bass notes into the chords on this one...I imagine thats how Elvis played it as he was writing it, and if he ever performed it by himself. Marks chords were on the right track, but his choruses and a few other parts were off. There are a few frustrating things about playing this song on guitar. One is the pesky (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- with (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- bass (theres no (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- major in the song) in the verses, which is tough to play on guitar. It sounds *okay* if you play a G7 there- the (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- will be in the chord, just on top instead of on the bottom. (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- similar problem is the Am with G# bass- which can be solved by flatting the (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- on the (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- string (what the hell chord is that anyway' Ammaj7''''') As for chords like C/E and G/B, well, the bass notes are in the normal major chords anyway, but I included the bass notation for fingerpicking purposes- or if any bass players want to give it a shot. [...] Whew! I guess thats it. Only Costello could make such a mess out of G, C, D, Am, and E. I mean that as a compliment. If anyone thinks I messed up, feel free to add corrections. And if anyone thinks this is on target and wants other transcriptions, just ask. I dont have the time to do this every night, but if I have the time, Ill figure any Costello song out. Ive even been trying to put together some guitar arrangements for songs from "The Juliet Letters" to play with my sister (no way my voice can handle some of that stuff...). Its easy to hear the notes clearly with the Brodskys, but trying toactually play that stuff on guitar is a different matter. Even the occasional stuff that resembles good ole Costello pop melodies ("Why must I always apologize...") is way more complex than it sounds. You know, I said I was going to study tonight... -Clyde From: kevinmoore@cruz.com (Kevin Moore) (use Monaco font for proper chord alignment) (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F And how its always another day E7 Am Just after twelve oclocks struck Am Ami/G# D You said "Now I only want you so I dont have to promise" (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- G/F C/E C Or the cigarette-girl in the sizzle hot-pants (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A G/B All the words of love seem cruel and crass (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A G/B When youre tough and transparent as armoured glass (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- G/B D/A E/G# Youre everywhere girl in an everyday mess E E/D And its all here and now Am Am/B Am/C A/E She hit him with that paper-weight Eiffel Tower Dm (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- Dm G And I tried to hold on to you but I dont know how (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- C/B C/Bb A And I find it hard to swallow good advice Am Am/B Am/C '/D '/D# Like going down three times to only come up twice A/E Come up twice ***analysis*** The recurring device here is a major chord with the flat 7th in the bass. It happens on "another day" "cigarette girl" and "here and now" and "good advice". Also lots of 1st & 2nd inversion chords. The most original part is the bridge with the bassline walking up beneath the Am chord. Ami/B is, by itself very dissonant, as the (b)|-2-------- |-2--4----- |-2--4----- |-2--4----- |-2-------- |-2-------- isnt part of an Am or Am7, but in context it sounds great. The end of the bridge is really strange with the same line continuing through (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- D# (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ with the Beatles-like chanting going on against it-I dont know what to call those chords. Anyone care to analyze the lyrics' I like the line about going down 3 times to only come up twice. Kevin Moore kevinmoore@cruz.com
В ряде случаев представлена аппликатура аккордов песни «Crimes Of Paris», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Costello Elvis через его(их) музыку.