Представляем аккорды композиции "Communication Breakdown" и глубже погружаем в смыслы творчества артиста Led Zeppelin . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Communication Breakdown» — это не просто изображения аккордов, а история, которую Led Zeppelin передаёт через ритм и интонации.
Led Zeppelin - "Communication Breakdown"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: ihateuw@u.washington.edu (David Wong) Heres TAB to Led Zepplins "Communicaton Breakdown". I believe someone requested it awhile back but am not sure whether it ever got posted. Anyway, the main part is just plucking an open (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ and changing between (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- and (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- at the fifth fret. So: (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- D e--------------------------------- B---T--------------------7---5--7- G---A--------------------7---6--7- D---B--------------------7---7--7- A------------------------5---7--5- E------0-0-0-0-0-0-0-0-0-----5---- This pattern doesnt change until the Chorus, where it switches to: A5 A6A5 A6 A7 A5A6A5 A6 A7 A5A6A5 A6A7 A5A6A5 A6A5 e--------------------5---------------5---------------5----------------- B---T----------------5---------------5---------------5----------------- G---A----------------6---------------6---------------6----------------- D---B----------------5---------------5---------------5----------------- A------7-7-9-7-7-9-x-7---7-9-7-7-9-r-7---7-9-7-7-7-9-7---7-9-7-7-7-9-7- E------5-5-5-5-5-5-x-5---5-5-5-5-5-r-5---5-5-5-5-5-5-5---5-5-5-5-5-5-5- | | | Semi P.M.---- Semi P.M. Semi P.M.-- Semi P.M.----- B5 B6B5 B6B7 B5B6B5 B6B7 B5B6B5 B5B7 B5B6B5 B6 e------------------7---------------7----------------7---------------- B------------------7---------------7----------------7---------------- G------------------8---------------8----------------8---------------- D------------------7---------------7----------------7---------------- A--9-9-119-9-9-9-119---9-119-9-9-119---9-1199-9-9-119---9-119-9-9-11- E--7-7-7-7-7-7-7-7-7---7-7-7-7-7-7-7---7-7-77-7-7-7-7---7-7-7-7-7-7-0 | | ---------------------- Semi P.M.--- note: The parts where it looks like I have the 119th fret indicated came from the inconvenience of a two digit number (11), therefore no dash. The part where it says "1199" and "77" are due to this same problem, as well as that two sixteenth notes are played while up until here the pattern has been eigth notes. In other words he doubles time splitting the note into two, but not skipping a beat. This isnt really complex at all, the problem is the way Ive written out the TAB. It wouldnt be confusing if I knew how to do this properly. Sorry. -Dave Then back to the main riff of eigth note Es and the D-A-D changes, after which the chorus is repeated. The second time through the main riff and chorus there are some minor changes which are probably not too hard to figure, including some slides and harmonics (at the seventh fret). This is because there have actually been two electric guitars doing this part, and the second guitar changes to these minor variations. Anyway, lets get to the solo: During the solo the second guitar repeats this pattern (until the chorus): (e)|------------ |------------ |---1-------- |------2----- |------2----- |------------ (d)|---2------ |-----3---- |---2------ |---------- |---------- |---------- (a)|---------- |---2------ |---2------ |---2------ |---------- |---------- E e-------------------------------------- B---T--9-----------------7-----5---7--- G---A--9-9-9-9-9-9-9-9-r-7-----6---7--- D---B--9-9-9-9-9-9-9-9-r-7-----7---7--- A------7-7-7-7-7-7-7-7-r-5-----7---5--- E------0-0-0-0-0-0-0-0-r-------5------- Semi-P.M. throughout Okay, this is probably a no-no to do in writing TAB, but to write the solo Im going to pretty well forget about having the dashes mean anything in terms of keeping time, and just get the notes down in proper order. And I thought I had no problems with tablature. Anyone who wants to "clean-up" a copy of this and repost is welcome to, perhaps along with sending me a detailed e-message as to exactly where I went wrong tabbing things out. Anyway, lead guitar goes like: e----------12-----------------14--------------------------------------12------- B---T--12-----15^12-12--------12-15^12-12-12-----12-15^12-12-----12------15^12- G---A--14b-------------14-14b----------------14b-------------14b-14b----------- D---B-------------------------------------------------------------------------- A------------------------------------------------------------------------------ E------------------------------------------------------------------------------ ------------------------------------12--------12------------------------------- 12----12---12-15----12--12-15^12-12-------------------------------------------- ---14-14b--------14-14b------------------14b-14b-14^12------14-12h----------12- -------------------------------------------------------14----------14-12-14---- ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- -------12----12----12---12---15b---15---12----12------------12----------------- ----12----15----15-------------------------15------------12-------------------- 14b----------------------------------------------14b-14b-------14b^14^12----14- -------------------------------------------------------------------------14---- ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- --------9----9----9---------------------------------------------------------10- ------9-9-12-9-12-9-------------------------------9--------------------10b-10b- 12-----------------11b^11^9-11-11-9----9-9-11b-----11b^11^9----11-9-9--------- ---12--------------------------------11----------------------11---------------- ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- ----10-------------------------------7/9---9-97-7-0 Okay, I know the solo 10b----10b^10^8---10-8---------------7/9---9-97-7-0 continues on into the ----------------9------9-8-9---------7/9---9-97-7-0 chorus, but its 1:40 A.M. ---------------------------------------------------- right now, and Ive got ---------------------------------------------------- classes from 8:30. Im ----------------------------/12-x-0-r--------------- not sure if this is really going to do anyone any good anyway, what with my absolute lack of any time structure here. Anyway, Ill post the rest of the solo later if someone will nicely e-mail me and show me how to post TAB where dual digit fret numbers and adding embellishments like bends wont mess up the time kept by the dashes. If you have a copy of the song to listen to, this posting may yet do you some good, as the notes are accurate, Im fairly sure. Yawn... Sorry, all, Im going to catch some sleep. # EDWARD LEAR 1812-1888 ## __________________________ The Owl and the Pussy-Cat went to sea # # | | In a beautiful pea-green boat. # | David V. Wong | They took some honey, and plenty of money # | ihateuw@u.washington.edu | Wrapped up in a five-pound note. # | University of Washington | The Owl looked to the stars above ### | Seattle, USA | And sang to a small guitar, #### |__________________________| `Oh lovely Pussy! O Pussy, my love, ## What a beautiful Pussy you are. P.S.- I suppose I should explain my symbols. "r" stands for a rest, "b" means to bend the preceding note a full step, "h" means to bend half a step, and "^" means to either hammer-on or pull-off depending on whether the number increases or decreases. Make sense' I dont know, I hope so. -Dave
В ряде случаев представлена аппликатура аккордов песни «Communication Breakdown», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Led Zeppelin через его(их) музыку.