Представляем аккорды композиции "Alamo" и глубже погружаем в смыслы творчества артиста Donovan . Эта интерпретация аккордов и текста песни помогает лучше понять смысл заложенный в композицию. Аппликатура аккордов песни «Alamo» — это не просто изображения аккордов, а история, которую Donovan передаёт через ритм и интонации.
Donovan - "Alamo"
#----------------------------------PLEASE NOTE---------------------------------# #This file is the authors own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # From ohig@ihug.co.nz Wed Apr 2 08:51:55 1997 Date: Tue, 25 Mar 1997 13:29:12 -0800 From: Gary Higgins To: acoustic@olga.net Cc: guitar@olga.net Subject: chord Alamo by Donovan Leitch [The following text is in the "iso-8859-1" character set] [Your display is set for the "US-ASCII" character set] [Some characters may be displayed incorrectly] РП^QаЎ±^Zб^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@>^@^C^@ю^' 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Ю^@^@^@^B^@^Cw^Й^@^@^@^B^@тA ^@^@^@^B^@^Щq^@^@^@^B^@8+k^@^@^@^B^@^]'l^@^@^@^B^@цl^М^@^@^@^C^A b^F^@^C^@^C^A'^К^A^@3^@^C^Aе^М^A^@4^@^B^@ ^Б0^@^@^@^B^@АY^Q^@^@^@^B^@!P^С^@^@^@^B^@Ws±^@^@^@^B^@< Т^@^@^@^B^@эvr^@^@^@^B^@/.^R^@^@^@^B^@^SP^S^@^@^@^B^@^'zS^@^@^@^B^@ѕv^T^@^@^@^B^@gґ^@^@^@^B^@^БsU^@^@^@^B^@ ^Е^V^@^@^@^B^@~OV^@^@^@^B^@!kX^@^@^@^C^AP^К^D^@B^@^B^@Кs^Y^@^@^@^C^Aп^М^D^@D^@THE ALAMO Donovan Leitch Im not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records. The words are from memory and the chords are my own interpretation of the song. Hammering on and off strings on the (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- chord will give the required sound. (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Eight hundred and eighty he challenged the travellers to die, (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- By a line that he drew with his sword as the battle drew nigh, (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Ev^Тry man that stepped over the line was for glory (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- And he that was left better fly, (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- For over the line stepped one hundred and seventy nine. Chorus (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Hey at Santa Anna they^Тre killing our soldiers below (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- So the rest of Texas will know, (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- And remember the Alamo (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Jim Bowie lay dying his blood and his powder were dry But his knife had been willing to take him a few in reply Young Davey Crockett lay laughin and dyin The blood and the sweat in his eye For texas and freedom a man was more willing to die Chorus Gary Higgins Ohig@ihug.co.nz ^@^@ю^'^@^@^C_^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@а^Е^ЯтщOh^P«^С^H^@+іЩ0^@^@^@°^B^@^@^@^@^@^G^@^@^@^Ш^@^@^@^B^@^@^@Ь^@^@^@^D^@^@^@^@^A^@^@^H^@^@^@$^A^@^@^@^@^@H^A^@^@^@^@^@l^A^@^@ ^@^@^@^Р^A^@^@^@^@^@ґ^A^@^@^P^@^@^@Ш^A^@^@^E^@S^@u^@m^@m^@a^@r^@y^@I^@n^@f^@o^@r^@m^@a^@t^@i^@o^@n^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@(^@^B^@^'^'^'^'^'^'^'^'^'^'^'^'^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@&^@^@^@а^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^'^'^'^'^'^'^'^'^'^'^'^'^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^'^'^'^'^'^'^'^'^'^'^'^'^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^'^'^'^'^'^'^'^'^'^'^'^'^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ ^@^@^@ь^A^@^@^R^@^@^@ ^B^@^@^@^@^@D^B^@^@ ^@^@^@h^B^@^@^S^@^@^@^М^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^_^@^@^@C:WINWORDTEMPLATENORMAL.DOT^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^^@^@^@THE ALAMO Donovan Leitch^@^^^@^@^@ ^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@ ^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@¤0^T 9ј^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@А¤Y^Л·Ю^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@¤0^T 9ј^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^S^@^@^@Microsoft Word 6.0^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^B^@^@^@2^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ЬҐe^@-А ^D^@^@^@^@e^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@ю^H^@^@y^Q^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ю^E^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^T^@^@^@^Ф^@^@^@^@^@^@^Ф^@^@^@^@^@^@^Ф^@^@^@^@^@^@^Ф^@^@^@^@^@^@^Ф^@^@^@^@^@^@^Ф^@^@ ^@^@^@^Ю^@^@ ^@^@^@^Ф^@^@^@^@^@^@^P^@^@1^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@о^@^@^B^@^@^@р^@^@^@^@^@^@р^@^@^@^@^@^@р^@^@^@^@^@^W^@^@ј^@^@^@У^@^@ј^@^@^@^П^P^@^@^^^@^@^@Ю^P^@^@T^@^@^@2^Q^@^@G^@^@^@^P^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@j^@^@^@^@^@^@Ё^@^@^@^@^@^@^@^@^E^@^F^@^A^@^A^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@^P^@^@^@^@^@^@Ё^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@Ё^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@Ё^@^@^@^@^@^@j^@^@^@^@^@^@Ё^@^@^@^@^@^@j^@^@^@^@^@^@Ё^@^@^@^@^@^@о^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@~^@^@^H^@^@^@^Ж^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@Ё^@^@^@^@^@^@о^@^@^@^@^@^@Ё^@^@F^@^@^@Ё^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@THE ALAMO Donovan Leitch Im not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records. The words are from memory and the chords are my own interpretation of the song. Hammering on and off strings on the (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- chord will give the required sound. (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Eight hundred and eighty he challenged the travellers to die, (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- By a line that he drew with his sword as the battle drew nigh, (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Ev^Тry man that stepped over the line was for glory (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- And he that was left better fly, (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- For over the line stepped one hundred and seventy nine. Chorus (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Hey at Santa Anna they^Тre killing our soldiers below (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- So the rest of Texas will know, (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- And remember the Alamo (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (f)|-1------------ |-1------------ |-1--2--------- |-1-----3------ |-1-----3------ |-1----------- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- (g) |------3--- |---------- |---------- |---------- |----2----- |------3--- (c)|---------- |---1------ |---------- |-----2---- |-------3-- |-------3-- Jim Bowie lay dying his blood and his powder were dry But his knife had been willing to take him a few in reply Young Davey Crockett lay laughin and dyin The blood and the sweat in his eye For texas and freedom a man was more willing to die Chorus Gary Higgins Ohig@ihug.co.nz ^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^]^C^@^@б^H^@^@ю^H^@^@ьъ^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^Cc^X^@^EU^Бc(^@^@^C^@^C^@^@^^C^@^@^]^C^@^@^О^C^@^@^П^C^@^@)^D^@^@*^D^@^@^Щ^D^@^@Ч^D^@^@Ш^D^@^@B^E^@^@^Б^E^@^@¶^E^@^@й^E^@^@^U^F^@^@6^F^@^@^З^F^@^@ї^F^@^@А^F^@^@З^F^@^@И^F^@^@^V^G^@^@M^G^@^@x^G^@^@^Щ^G^@^@Ѕ^G^@^@Ф^G^@^@Х^G^@^@г^G^@^@д^G^@^@^Z^H^@^@^[^H^@^@V^H^@^@^А^H^@^@^Б^H^@^@¤^H^@^@Ґ^H^@^@Щ^H^@^@Ъ^H^@^@б^H^@^@ю^H^@^@ю^@^@^@^@^@^@ю^@^AА!Т^Aю^@^BА!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!^[^Aю!р^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@)^@^@^H^@^A^@K^@^@^@^@^@^@^Z^@^@@с^'^B^@^Z^@^FNormal^@^B^@^@^@^C^@a ^D^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@"^@A@т^'Ў^@"^@^VDefault Paragraph Font^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ю^E^@^@^D^@^'^'^'^'^@^@^'^'^'^'^A^@^D!^'^'^A^@^@^@^@^@ю^E^@^@^@^@^@^@^@^@^@^C^@^@ю^H^@^@^E^@^@^C^@^@ю^H^@^@^F^@F^@Gary Higgins^TC:WINWORDALAMO.DOCGary Higgins^TC:WINWORDALAMO.TXT^'@HP DeskJet 500C Printer^@LPT1:^@DESKJETC^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^Ф^@(^@^C^Ц^А^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^Ъ^A^@^@|^A^A^@^@^@ё^AЦ^A^B^@^@^@№^AЧ^A^B^@^@^@№^AЦ^A^B^@^@^@^A^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^Ф^@(^@^C^Ц^А^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^Ъ^A^@^@|^A^A^@^@^@ё^AЦ^A^B^@^@^@№^AЧ^A^B^@^@^@№^AЦ^A^B^@^@^@^A^@^@^А^A^@^@^@^@^@^@^@^@^@^H^@^@^А^@^@^@^@^@^@^@^@^@^@^@^@^@^@1^@^U^V^Р^A^@^@Times New Roman^@^V^Р^A^B^@Symbol^@&^Р^A^@^@Arial^@"^@^D^@^@^H^И^X^@^@Р^B^@^@h^A^@^@^@^@ZЛ^SFZЛ^SF^@^@^@^@^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^D^@^Г^P^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
В ряде случаев представлена аппликатура аккордов песни «Alamo», что позволяет быстрее освоить игру на гитаре этой композиции. На этой странице собрано все в одном месте: текст песни, аккорды, аппликатура, что упрощает для личного использования, поделитесь им с друзьями или используете в творчестве. Погружайтесь в мир Donovan через его(их) музыку.